The Vox Valvetronix amplifier head gives you a boutique selection of 11 great American and British amplifiers and its Valve Reactor technology gives you both realistic tube tone and tube feel as well. Intuitive knob based editing makes operation easy while 11 great sounding digital effects include auto-wah, compressor, delay, reverb, phaser, chorus, flange, trem, rotary, and combination give you tons of tonal choices. An adustable power amp output control lets you lower the volume without losing the drive. Pairs up with the V412BK speaker cab for a half stack that rages.

The DT Deluxe from Donner is an exceptional chromatic tuner that comes in a classic design and compact size so it will not hog your pedalboard space. It includes true bypass, which is fundamental for this type of pedal, and a new strobe mode with +/- 1 cent accuracy. This guitar tuner pedal has a huge LCD that shows you what is going on. The foot switch lets you turn the tuner on/off, and will instantly mute your signal once the pedal is activated. The DT Deluxe is convenient to use and makes for a great entry level tuner.

While the Boss CE-2B Bass Chorus is a bass pedal, it sounds great on guitar as well. The Boss CE-2 is highly prized by guitarists, and though many will accept no substitutes, the CE-2B's tone is very close, and you gain the addition of a Mix knob for a wet/dry blend.

Dunlop brings us a tribute to the first wah-wah pedal ever with the Clyde McCoy Cry Baby Wah Wah. This pedal has that authentic wah sound and expressive sweep of the 21st century, making it a modern classic that brings you the tone and spirit of the first Clyde McCoy pedals produced by the Thomas Organ Company and Jen Electronics back in the '60s.

 Compact but powerful Crate GX-30M amplifier. The GX-30M features a Clean channel with a 3-band EQ and Level control, and an Overdrive channel with our patented  Flex Wave circuitry with Gain, Level and Crate's Shape control. With all this plus Chorus and Reverb, the GX-30M offers you more flexibility and performance than any amp in its class. A special damping circuit simulates the current source type of output of a tube amp, giving you solid state reliability combined with classic tube sounds.

The original Bad Horsie wah debuted in 1996, and was developed in conjunction with Steve Vai. It later iterated into the bad horsie which featured a foot switchable Contour voicing option. The original Bad Horsie can be found in a variety subtly different graphic variants, but the design remained the same through its whole production history.

The DOD Death Metal Distortion FX86B channels all the raw, savage tone of the most metal of metal genres into a single pedal with an easy to use interface. Crafted with controls for level and Low Mid Hi EQ knobs, the FX86B takes you straight into the searing, buzz saw distortion territory made famous by bands like Burzum and Abbath.

True bypass ABY amp selector with tuner out. On board transformer to eliminate ground buzz. 180 degree polarity reverse to phase match amps. Compact and rugged for pedalboards. Plug and play easy to use. Designed for the purist, the Radial BigShot ABY is an ultra compact, 100% passive foot switch that provides true bypass, ABY amp switching capabilities with A or B toggle and A + B combine functionality. This assures the guitar signal is routed directly to the amp without any buffering, loading or tone altering circuits. To add versatility, the BigShot ABY has a built in transformer that can be engaged to eliminate troublesome ground loops. Once on, you can also ensure your two amps are properly in phase using the 180 degree polarity reverse switch. The compact, yet ultra rugged design makes the BigShot ABY ideal for pedalboard designs where space is always at a premium. Furthermore, because it does not require power to make it work, it eliminates the need for batteries and space hungry power supplies.

Get The Classic, Warm And Mind Bending Tremolo Effects Of Vintage ‘60s Amps. Dedicated Rate, Wave And Depth Controls For Awesome Sound Shaping. Runs On 9 V Battery Or The DC Power Supply (Not Included). First Class Electronic On/Off Switch For Noise Free Operation. High Quality Components And Exceptionally Rugged Construction Ensure Long Life.

The FX68 Super Stereo Chorus was introduced in mid late 1990 as DOD's "top of the line" chorus effect, replacing the FX67 Stereo Turbo Chorus in DOD's lineup. With Level, Speed, and Delay Time controls, the FX68 was comparable to the FX65 Stereo Chorus feature-wise, but added a Level control to mix the wet/dry output levels. Unlike its chief competitor at the time, the FX68 did not have a tone control. The FX68 was discontinued in 1996 with the introduction of the FX64 Ice Box.

Rocktron G.A.P.1  Preamp, AGX Distortion, Hush Noise reduction. Very good condition rack mount processor built in the USA. Quality sounds of the 80's at a low price. 

12 amp models that deliver a complete range from Clean to Insane. 7 Smart Control effects up to 3 simultaneous  including Tape Echo, standard Delay, Sweep Echo all w Tap Tempo, Chorus Flanger, Phaser, Tremolo and Reverb. 4 User programmable channels. Built in front panel Tuner. 75 watts of power.

The Line 6 Spider  HD150 modeling guitar head amplifier makes getting great amp sounds easier and more affordable than you might think! The Spider  HD150 pumps 150 watts into your speaker cabinet for impressive tone and plenty of it. This head is loaded with great amp models with both vintage and modern specimens, with presets handcrafted by today's leading artists. What's more, these astounding sounds are amazingly easy to dial in. 

Camber C4000 18 Inch Cymbal.

5 different Violin effects.True BypassCompact and Solid design. Power saving,the current is only 50mA. Freely controlling rotary module.With amplitude modulation . and built in Swell module. Vibrato module for easy depth and rate adjustment.

The new generation Tone Blaster X series amps were designed and created to answer the needs of today’s guitarist. The parametric mid EQ allows you to dial in any tone you’re looking for in an instant. The exclusive X mode allows you to get monstrously heavy and lets you cut through the din of the loudest rhythm section. The gain control in the normal channel can be dialed down to give you anything from a clean jazz tone to a crunchy, slightly overdriven rock’n roll tone. Plug in and express yourself with TBX. Comes with power cord. 

The Crate GX-30M is an entry level combo amplifier that puts out 30 watts through a 4 Ohm 12 inch Crate speaker. It is the usual practice amp size, measuring approximately 19 by 20 by 12 inches. It was made in the USA and it feels sturdy, with the usual black Tolex and hefty plastic corner protectors. There are a surprising number of features available. There is a clean channel with a 3 band EQ, an overdrive channel with gain, shape, and level, a reverb effect, and a chorus feature with depth and rate. A single input is provided, and there are also jacks for a footswitch, headphones and a speaker out. If anything is plugged into the headphone jack or speaker out the internal speaker is bypassed.

Scandalli accordions come from the vision and experience of a musician, for musicians, and this is combined with the daily commitment of our passionate technical staff; which is what makes our instruments so special. More than hundred years of history, tradition, and manufacturing experience have allowed us to develop innovative solutions in order to improve our instruments in sound quality and performance, all while considering the evolution in the taste of our musicians. All Scandalli accordions have universally recognized features in order to be considered as the most advanced and suitable concert instruments; especially the sensitive and expressive sound, balanced throughout the extraordinary dynamic range. Our converter instruments have also been created with the support of teachers and musicians who collaborate with us offering their high-level knowledge. A case is included

The Boss AC 2 Acoustic Simulator can take your electric guitar signal and model several different types of acoustic guitar tones, including jumbo, standard, piezo pickup equipped and even some tones an acoustic couldn't naturally get. It might not be the real thing, but it's a good substitute for amateurs playing out at the bars who don't want to bring an acoustic with.

The Red Repeat 2016 Edition takes this old technology and brings it up to modern standards. The Echo control basically determines the amount of this effect, from barely noticeable, to sounding like two guitars playing at once slap-back. The Tone control changes the presence (EQ) of the echoed signal, leaving your original signal EQ the way you set it up. The Time control adjusts the space between your original signal and the echoed signal from 0 to 600 milliseconds, and finally, the Repeat control determines how many echoes there are from each signal. So again for guitar-players who need it super-simple, the Echo and Time controls tell you how much echo and how much space between echoes and the Tone and Repeat controls determine the actual presence of the echo and how many echoes there are. The Red Repeat 2016 Edition can be used to fatten up your sound, as an alternative to reverb, to give a very percussive flavor to your playing, all the way to the longest delays which you can play over top of, like a short loop. This type of effect has been used since the 50’s, and has helped shape the signature sounds of Les Paul, Chet Atkins, Gene Vincent, Brian Setzer, David Gilmour and countless others, and once you understand the effect, is usually pretty easy to spot in recordings. Remember, Delays can come before or after your distortion pedals, but usually after amplitude volume effects. For the new improved Red Repeat 2016 Edition, Carl has added a couple features that various players have asked about. To begin with, we have added a Tap Tempo function. For those familiar with delay pedals, the Tap Tempo allows the player to tap in the tempo he choses to use with his playing. Simply flip the switch that says Manual Time toward the name Red Repeat and with your toe, tap the footswitch marked Tap Tempo to the beat of the song. This allows your echoes to be spaced precisely with the tempo of the song, faster or slower, depending on your style. When The Manual Time switch is flipped away from the Red Repeat 2016 Edition decal, the pedal goes back to setting the space between echoes with the Time knob. The second special feature is the Modulation switch. By engaging this switch, and adjusting the black mini-pots marked Depth and Speed, you can modulate the echoes of your notes so that they mimick the ‘wow and flutter’ of a vintage tape echo. This subtle effect can bring a whole new dimension to your solo’s, especially if you want them to sound ‘old’.