Take your tone from barely dirty to the aggressive aural assault of a full stack with the DigiTech Hot Head Distortion. Dual outputs allow you to connect to your amp and to a mixer or recording device for direct recording. Use the Low and High knobs to play with bass and treble frequencies, or adjust the Level and Gain knobs for wet dry mix and distortion heat.

The new oscillating fuzz from Nine of Swords, This thing sounds mean, looks like a 80's grindcore death metal demo tape, and gets very very noisy, so that's pretty much all bases covered. What starts as a very overdriven fuzz sound can quickly get out of hand. Dare to tamper with the Summon control and the ritual is on howling, screaming, fuzz oscillations rip out and things get crazy, take off noises and, sirens, demonic screams think the end of Raiders of the Lost Ark but with fewer Nazis. Use the Panic control to dial in a more controlled gated sound. Go nuts  raise hell see what you can come up with using the 4 interactive controls. There is so much noise in this box you could easily get lost only to surface days later, a broken and desperate victim of the Satanic Fuzz Ritual.
 

Hard guitar case with blue velvet lining. 

Fender, a leader in instrument manufacturing, started designing, manufacturing and evolving musical instruments in 1946. Since, Fender amplifiers have and continue to be an integral part of modern music. For the go anywhere acoustic performer who needs ultra compact convenience at a moment’s notice, the Acoustasonic 15 is just the right small amp with just the right sound. Perfectly portable, it delivers great tone and features for an acoustic guitar and a mic ideal simplicity and flexibility for a variety of musical and basic public address uses at small gigs and gatherings.

Capo ace.

Pink floyd guitar strap. 

Fender’s Blackface cosmetic treatment skirted knobs silver grille cloth makes these amps look as good as they sound! All Frontman guitar amps, including this, the 15 watt Frontman 15G, feature dual selectable channels normal and drive, auxilliary input for CD or drum machine use, a headphone jack and separate controls for treble, mid, bass, volume, gain and drive. Small package huge Fender sound.

Boss ME 8B Bass Multiefects, Compresor, Octaver. Overdrive, Distorsion, Fuzz. Ecualizador,  Noise Gate, Synte , Wah, Chorus ,Flanger, Delay , Reverb Octavador Vibrator. Power Supply Included.

5 different Violin effects.True BypassCompact and Solid design. Power saving,the current is only 50mA. Freely controlling rotary module.With amplitude modulation . and built in Swell module. Vibrato module for easy depth and rate adjustment.

5 different Organ effects. True Bypass. compact and solid design. Power saving,the current is only 50mA. With built in Percussion module. With a lifelike high and low RotatarySpeaker module.

4 different crystal particle harmony effects runs on any semitone in the range of 12 semitones to 12 semitones. True Bypass, Compact and Solid design;Power saving,the current is only 50mA. Tone filter is used to control the sound effect from bright to dark. Using Feedback and Mix can create cascaded ascending or descending crystal particles Delay harmony sequence with fixed scale difference. Using internal reverse,internal delay and internal transposition can create beautiful "crystals"effect.

The Joyo Advantages, over 14 years of brand history, strong technical teams, many innovative patents, electroacoustic core technology, guide design of music masters, winning the love of global fans, inspiring people's music dreams. Aquarius multieffects is a multi mode digital delay pedal with 8 digital delay effects. Apart from the iconic digital, analog delay effects, there are well designed styles such as Low bit ,etc. Tap Tempo enables you to adjust delay’s speed. It also features looper function, 5 minutes recording time. What distinguishes Aquarius from similar products is that Looper and Delay functions can be used simultaneously. Tough metal shell material with glossy appearance, ambience LED light brings out futuristic and retro style, displaying a perfect fusion.

A solid state guitar amplifier with an integrated digital modeling amp unit, it is incredibly versatile. It can emulate the tones of 78 different guitar amps, along with speaker cabinets and microphones. It also works for bass guitars and acoustic guitars.

The new generation Tone Blaster X series amps were designed and created to answer the needs of today’s guitarist. The parametric mid EQ allows you to dial in any tone you’re looking for in an instant. The exclusive X mode allows you to get monstrously heavy and lets you cut through the din of the loudest rhythm section. The gain control in the normal channel can be dialed down to give you anything from a clean jazz tone to a crunchy, slightly overdriven rock’n roll tone. Plug in and express yourself with TBX. Comes with power cord. 

The Peavey VYPYR VIP is the first amplifier that contains Electric guitar, Bass guitar, and Acoustic guitar amp models. Now for the first time ever using our Variable Instrument Input, a single amp can provide amplification for a variety of instrument types. Not only does the amplifier morph from a bass amp to an acoustic amp to an electric amp, it also for the first time ever in an amplifier in this category, allows the electric guitar player access to instrument models as well. The VYPYR combines Peavey's exclusive TransTube analog circuitry with a powerful 32 bit, floating point SHARC processor to deliver uncompromised tone, making the VYPYR series the best sounding modeling amplifiers available. All VYPYR effects, amp models and parameter controls can be accessed via the amp itself, with no need to hook the amplifier to a computer. Peavey's WYSIWYG control surface quickly allows the user the ability to see and adjust the control position, no guessing where the control is supposed to be or having to manually move it to where it should be from preset to preset. VYPYR's new USB bi directional data and audio port provides an easy way to record and/or connect to our VYPYR software and store presets, get lessons, and practice to backing tracks while connected to your computer.The VYPYR VIP series gives you all of the revolutionary features from the original VYPYR series, now even better. More power, more effects, more amp models, Variable Instrument Input, instrument models, and more make this the ultimate amplifier. With power cord. 

The Wailer Wah Pedal from Electro Harmonix is a classic potentiometer-swept wah that delivers fluid wah tone in a responsive pedal at a budget-friendly price. Delivering the same great sound and tone of the award-winning Crying Tone Wah, the Wailer Wah offers a killer-sounding wah with cocked-wah tones, and utilizes a traditional rack-and-pinion style operating mechanism in a rugged, lightweight enclosure.

The Crate GX-30M is an entry level combo amplifier that puts out 30 watts through a 4 Ohm 12 inch Crate speaker. It is the usual practice amp size, measuring approximately 19 by 20 by 12 inches. It was made in the USA and it feels sturdy, with the usual black Tolex and hefty plastic corner protectors. There are a surprising number of features available. There is a clean channel with a 3 band EQ, an overdrive channel with gain, shape, and level, a reverb effect, and a chorus feature with depth and rate. A single input is provided, and there are also jacks for a footswitch, headphones and a speaker out. If anything is plugged into the headphone jack or speaker out the internal speaker is bypassed.

Scandalli accordions come from the vision and experience of a musician, for musicians, and this is combined with the daily commitment of our passionate technical staff; which is what makes our instruments so special. More than hundred years of history, tradition, and manufacturing experience have allowed us to develop innovative solutions in order to improve our instruments in sound quality and performance, all while considering the evolution in the taste of our musicians. All Scandalli accordions have universally recognized features in order to be considered as the most advanced and suitable concert instruments; especially the sensitive and expressive sound, balanced throughout the extraordinary dynamic range. Our converter instruments have also been created with the support of teachers and musicians who collaborate with us offering their high-level knowledge. A case is included

Fashioned with a uniform machine lathing and hammering process that results in an even response, brilliant finish for added volume, and ultra bright B8 alloy made in the sheet manufacturing process, the Zildjian 18" ZBT Crash Ride is built for affordability and versatility. An excellent model for the beginning drummer, this 18" cymbal also works well as a contrasting bright element.

Fashioned with a uniform sheet cut construction, machine precise uniform hammering, and the pleasantly bright B8 alloy, the Sabian 14" B8 Hi-Hats find the perfect bridge between quality craftsmanship and entry-level affordability. The tight concentric lathing keeps a focused tone whether you're playing open or closed, and the treble-oriented tonality keeps your sound articulate and present in the mix. Typically associated with beginners, these cymbals are also useful for saving a buck and keeping something bright in your set up. 

The Rock Ride is for the hard hitting drummer demanding a lot of sound from their ride cymbal. It is designed with a profile and heavy weight for hard, driving rock. Tones project brightly with lots of high-end that favors clear rock patterns, and cuts through the band mix effortlessly. This ride also has a really cutting bell. 

Sound grooves and round hammer strikes in a simple circular pattern on the top surface of ZBT cymbals magnify the basic sound of the distinctive ZBT alloy. The ZBT Hi Hat Pair produces a sharp and focused sound with an excellent, bright chick.The bright, intense, high-pitched sound of the Zildjian ZBT series cymbals cuts through the mix of other instruments. Sheet origin and precision lathing techniques create high volume projection that speaks quickly and brightly with a rapid decay. Since ZBT cymbals are pressed and lathed from sheets of uniform, high-quality bronze alloy, they are remarkably consistent. The highly polished, brilliant finish looks fresh. Superb all purpose ride cymbal. Excellent, clean stick articulation with controlled overtones. 

Ampeg’s BA- 08 8″ Bass Combo delivers classic Ampeg tone and performance-driven features in a highly affordable package ideal for practice. Perfect for small spaces, the new 60-degree monitoring angle delivers unmatched clarity. With front-facing controls and features built for silent practice, the Ampeg BA 10B is the most professional practice amp for the money.  

Armed with two channels, spring reverb, a three band EQ, FDD and 15W RMS of real Marshall power, the 1x8" Marshall MG15CDR combo delivers superb tone from pristine clean to out and out filth.  The ultra flexible Contour control allows you to fine-tune the all important mids from woody and warm to scooped and slamming and all points in between. Marshall MG series offers serious bang for the buck. Marshall tube sound in a solid state body. Unique features for practice and performance.

The Frontman amps deliver quality tone at a great price, with custom voiced built in overdrive for great tone and the unmistakable Fender Blackface look. The 10 watt Frontman 10G features a 6 inch Special Design speaker and a selectable gain control that can rock guitar tones from tube-emulated overdrive to full-strength ultra-saturated distortion; perfect for blues, metal and the famous Fender clean tone. Closed-back design gives a heavier bass response; the 1/8-inch input lets you play along with your media player of choice; and the 1/8-inch headphone output is great for silent practicing.

The optional 4-button foot switch included with Mustang GT 200 provides hands-free control of effects and the looper, making Mustang GT a performing powerhouse.

The Joyo AC20 is an amplifier designed with an amplification characteristic curve circuit specifically for acoustic guitars. It gives you a nice and bright treble with rich mid -low frequencies. Its 20W of power will meet your needs for practice sessions at home up to even small live shows. The guitar section of the AC-20 features 3 built in DSP effects, Chorus, Delay and Reverb, and all of which can be used simultaneously which is very rare among similar amplifiers. The other section on the AC 20 is the well designed dynamic. Microphone amplification channel giving you a clear and powerful vocal sound, this channel also features a reverb, which is the key making your vocals shine.  Any great acoustic amp has an AUX input and so does the AC20. Connect your MP3 player or CD and jam along to your music. Joyo delivers a truly simple and practical acoustic guitar amp. Includes power supply. 

 

Carl Martin classic Vintage Flanger, designed for those guitarists who desire this unique form of modulation. The Vintage Flanger has four knobs to control Speed, Depth, Pre delay and Feedback, plus a dual speed mode that is foot switchable. There are no rules with a Flanger, just plug this versatile modulation pedal in and play play play. As with all the Vintage pedals, the Flanger comes in a solid, diecast housing with the cool CM graphics and chicken-head knobs. It can be powered by 9v battery or a regulated 9v power supply.

The Boss AC 2 Acoustic Simulator can take your electric guitar signal and model several different types of acoustic guitar tones, including jumbo, standard, piezo pickup equipped and even some tones an acoustic couldn't naturally get. It might not be the real thing, but it's a good substitute for amateurs playing out at the bars who don't want to bring an acoustic with.

The Red Repeat 2016 Edition takes this old technology and brings it up to modern standards. The Echo control basically determines the amount of this effect, from barely noticeable, to sounding like two guitars playing at once slap-back. The Tone control changes the presence (EQ) of the echoed signal, leaving your original signal EQ the way you set it up. The Time control adjusts the space between your original signal and the echoed signal from 0 to 600 milliseconds, and finally, the Repeat control determines how many echoes there are from each signal. So again for guitar-players who need it super-simple, the Echo and Time controls tell you how much echo and how much space between echoes and the Tone and Repeat controls determine the actual presence of the echo and how many echoes there are. The Red Repeat 2016 Edition can be used to fatten up your sound, as an alternative to reverb, to give a very percussive flavor to your playing, all the way to the longest delays which you can play over top of, like a short loop. This type of effect has been used since the 50’s, and has helped shape the signature sounds of Les Paul, Chet Atkins, Gene Vincent, Brian Setzer, David Gilmour and countless others, and once you understand the effect, is usually pretty easy to spot in recordings. Remember, Delays can come before or after your distortion pedals, but usually after amplitude volume effects. For the new improved Red Repeat 2016 Edition, Carl has added a couple features that various players have asked about. To begin with, we have added a Tap Tempo function. For those familiar with delay pedals, the Tap Tempo allows the player to tap in the tempo he choses to use with his playing. Simply flip the switch that says Manual Time toward the name Red Repeat and with your toe, tap the footswitch marked Tap Tempo to the beat of the song. This allows your echoes to be spaced precisely with the tempo of the song, faster or slower, depending on your style. When The Manual Time switch is flipped away from the Red Repeat 2016 Edition decal, the pedal goes back to setting the space between echoes with the Time knob. The second special feature is the Modulation switch. By engaging this switch, and adjusting the black mini-pots marked Depth and Speed, you can modulate the echoes of your notes so that they mimick the ‘wow and flutter’ of a vintage tape echo. This subtle effect can bring a whole new dimension to your solo’s, especially if you want them to sound ‘old’.

The Flux drive is the overdrive pedal for those who want more of all the best things from an overdrive! It has more liquid gain and enhanced sustain that easily feeds into rich harmonic overtones making it incredibly addictive and inspiring to play, whether into a clean amp channel or especially to enhance a crunch or higher gain channel! It also offers a more complete tone shaping network with individual Treble and Bass controls. This architecture makes the Flux drive a more complete preamp with added versatility beyond that of most overdrive pedals. 

Rugged construction, high SPL handling in a compact chassis makes the Apex435B an ideal choice for live sound reinforcement or live recording applications. It is also an ideal choice as a utility microphone for home or project studios where performance in required, yet budget is a concern. The Apex435B microphone is made with a heavy-duty machined brass body with a durable, scratch resistant anodized finish. Solid State Medium Diaphragm Condenser Microphone.  Cardioid Polar Pattern.  Internally Mounted -6dB 100Hz Low Frequency Roll Off Switch. Heavy Duty Machined Brass Body. Carry Case Included.

Create unparalleled recordings with your computer using Blue's best-selling family of Yeti USB microphones. Now with Blue Voice software, you can craft the perfect broadcast vocal sound and entertain your stream audience with enhanced effects, advanced voice modulation and HD audio samples. Four different pickup patterns offer incredible flexibility so you can record vocals for music, podcasts, Twitch streaming, YouTube videos, or even cryptozoology lectures in ways that would normally require multiple microphones. Whether you're recording at home, on the road, or in the Himalayas, Yeti helps you produce studio-quality recordings every time. Comes with USB cable. 

Reverb is an essential effect for all styles of guitar playing. The RF-1 offers the creative freedom to move from subtle shimmer to a huge, immersive reflection with its six reverb modes, all the while keeping your tone very much intact. Six adjustable modes, hall, plate, spring, spring 2 and room. Separate time, damping and level controls allow further flexibility. 9v input with passive bypass. Stereo output and expression input for live control. Robust, solid housing built for years of playing.

A redesign of the famous original. The BB-2 Bluesbreaker pedal captures all the characteristics of the classic Bluesbreaker drive pedal. It introduces an additional boost function, allowing you to push your tone to the forefront. From subtle, transparent drive to screaming lead tones, you’re able to shape that iconic breaking up sound to your specific needs. 

Introduced way back in 1991, the iconic MT-2 Metal Zone remains the king of high-gain distortion stomps for guitarists around the world, with over one million sold and counting. Its thick, saturated sound is perfectly suited for metal styles and is also great for playing heavy rhythms and soaring solos in other genres. With incredibly wide tone-shaping range and ultra-smooth sustain, the multifaceted MT-2 brings an array of rich distortion voices to any musical setting.  The MT-2 is Boss’s second most popular drive pedal ever, after the DS-1 Distortion. A key to its enduring success is the ability to achieve dense, heavy crunch and singing sustain at any volume, providing an instantly inspiring experience for players at every skill level. And thanks to its smooth character and active EQ with semi-parametric midrange, the MT-2 works well with all types of guitar amplifiers, including clean pedal platform amps. Under the hood, the MT-2 employs an innovative analog circuit design to realize its rich, heavy voice. Two gain stages are configured in series, with the first stage providing mid-focused clarity that feeds the second stage’s more aggressive character. Carefully tuned pre- and post-distortion filtering, seven total stages ensures that the tone is tight and well-defined at every setting, with no mud or flub whatsoever. The MT-2’s advanced tone shaping goes far beyond the capabilities of most analog drive pedals, letting you dial in everything from chugging, mid-scooped rhythm mayhem to bold, cutting sounds that poke through the densest mixes. Post-distortion Low, Middle, and High knobs offer +15 dB cut or boost to perfectly match your guitar and amp type or craft entirely new tones. The midrange is the heart of every guitar’s voice, and the MT-2 provides a variable control to set the frequency in this critical band anywhere from 200 Hz to 5 kHz.

Joyo Overdrive guitar effects are the mildest of the three distortion guitar effect types, producing warmer overtones at quieter volumes and can achieve a harsher distortion as gain is increased. True screamer guitar pedal. Joyo vintage overdrive, a representation of the classic tube screamer guitar pedal with RC4558 chip. JF-01 overdrive effect is mellow,mild,smooth-simply exquisite, also nice sustain. Introducing warm overtones when used as a clean volume boost, searing tone as well as warmth of a classic overdriven tube amp. 

Dunlop's MXR-FullBore Metal is designed to add even more gain to achieve that powerful metal tone while reducing the noise this process can cause through a built-in noise suppressor circuit. This all-important feature allows you to achieve extreme gains without fear of adding annoying noise to the signal. EQ control knobs in the low, mid, swept-through mids, and treble let you shape your tone to your whim. Other features of Dunlop's MXR FullBore Metal include true bypass and the option of 9V battery or AC mains powered transformer.

Sub 'N' Up Octaver is the new leader of the pitch-pack. Featuring our superb next generation octave-engine and individual blend controls for dry, octave-up and two sub-octaves, Sub 'N' Up is set to deliver flawless octave tones whether you're playing complex chords or groovy single-note lines. And with the option of adding modulation to the mix via our high-powered TonePrint editor, for spacey ambient octaves, Sub 'N' Up Octaver truly is the definition of pitch perfection. Next generation octave engine for flawless polyphonic tracking. Cool old-school monophonic octaver. TonePrint-engine with modulation for otherworldly octave tones. 

M-Audio Nova Black Microphone


1.1" diameter evaporated gold diaphragm offers smooth, accurate sound
Cardioid pickup pattern makes it easy to isolate from unwanted studio sounds
Class A solid-state electronics designed for low noise and minimal coloration
Solid brass body and capsule delivers protection and reliability