The twin channel Crush 20 takes an uncompromising approach to guitar tone and puts it in a compact and portable package. With footswitchable Clean and Dirty channels our new high gain, four stage preamp design serves up a huge palette of overdriven and distorted sounds, rich in harmonic overtones.
The sheer punch achieved through the Crush 20’s custom 8″ Voice of the World speaker is nothing short of staggering, with a commanding delivery that belies amp’s modest footprint. Featuring an Aux In for backing tracks and a CabSim-loaded headphone output the Crush 20 is an obvious choice for players seeking the legendary Orange sound’ in a practice amp format.

Compact dedicated guitar/bass tuner with great performance and convenient functions. High precision LCD needle type meter for stable tuning. Quinta Flat Tuning mode lets you tune 1 - 5 semitones flat. Supports 7 string guitar tunings. Reference tone can be produced from an internal speaker.

The Fender Delay is a streamlined pedal with a simple interface comprised of Repeat, Delay and Mix knobs. Comes with original box. 

The original Bad Horsie wah debuted in 1996, and was developed in conjunction with Steve Vai. It later iterated into the bad horsie which featured a foot switchable Contour voicing option. The original Bad Horsie can be found in a variety subtly different graphic variants, but the design remained the same through its whole production history.

Once again Peavey Electronics revolutionizes the modeling amp industry. Introducing the world's first Variable Instrument Performance amplifier, the Vypyr V.I.P. The world's first amp that contains Bass guitar, Acoustic guitar and Electric guitar amplifier models. Now for the first time ever using our Variable Instrument Input a single amp can provide amplification for a variety of instrument types. Not only does the amplifier morph from a bass amp to an acoustic amp, to an electric amp. It also, for the first time ever in an amplifier in this category, allows the electric guitar player access to instrument models as well. Using appropriate technology, Peavey uses a combination of powerful 32 bit, floating point Sharc processors and patented Trans tube analog circuitry to create the best sounding modeling amplifiers available. Nothing sounds as good as a Vypyr.

 

The Spider V 30 is a great amp for practicing whether you are a beginner or a seasoned player but it’s far more than a practice amp. Whether you like to plug in and immediately rock a traditional amp tone, or enjoy tweaking parameters until you’ve devised a unique and awe inspiring sound, this machine gives you the tools to create exactly what you want. Classic Speaker mode provides an organic sound and feel, while all-new presets including vintage amp presets voiced by a renowned tube amp maker, and Artist and Iconic Song collections deliver classic tones with all the rage, subtlety, sheen, and roar you demand. If you have a fear of cookie-cutter tones, the Spider V 30 amp provides enough flexibility to transform a basic hard rock sound into a fire breathing dragon, clean timbres into galaxies of ambient textures, Brit pop chimes into waterfalls of vibey shimmers, and more. Whatever drives your creativity, the Spider V 30 gets you there with all the ease or complexity that defines your individual musical mantra. Never settle. Own your tone.

The OD 20 Drive Zone uses advanced COSM technology to model the sound of classic overdrive/distortion pedals, as well as creating new sounds of its own. There are 22 models to choose from, plus new Attack Shape and Heavy Octave parameters for dialing in subtle nuances or extreme tones. You can even switch amp channels remotely using the OD 20's Amp Control jack.

The Bad Monkey Tube Overdrive gives your amp a boost just when you need it. It has been compared to the TS 808 but with having the unique ability to smooth out the distortion by use of the low and high EQ controls. Most overdrive pedals give you one tone control knob thus limiting your tonal options. You asked for a pedal that will maintain your guitar's distinct tone and DigiTech delivered! With its rugged design, separate mixer and amp outputs, and amazing tonal options, this pedal truly is a Bad Monkey. From Blues to Rock to everything in between, it will give you that amazing overdriven tube amp sound that will keep begging you to crank it up.

The DOD Death Metal Distortion FX86B channels all the raw, savage tone of the most metal of metal genres into a single pedal with an easy to use interface. Crafted with controls for level and Low Mid Hi EQ knobs, the FX86B takes you straight into the searing, buzz saw distortion territory made famous by bands like Burzum and Abbath.

True bypass ABY amp selector with tuner out. On board transformer to eliminate ground buzz. 180 degree polarity reverse to phase match amps. Compact and rugged for pedalboards. Plug and play easy to use. Designed for the purist, the Radial BigShot ABY is an ultra compact, 100% passive foot switch that provides true bypass, ABY amp switching capabilities with A or B toggle and A + B combine functionality. This assures the guitar signal is routed directly to the amp without any buffering, loading or tone altering circuits. To add versatility, the BigShot ABY has a built in transformer that can be engaged to eliminate troublesome ground loops. Once on, you can also ensure your two amps are properly in phase using the 180 degree polarity reverse switch. The compact, yet ultra rugged design makes the BigShot ABY ideal for pedalboard designs where space is always at a premium. Furthermore, because it does not require power to make it work, it eliminates the need for batteries and space hungry power supplies.

Level and Drive controls add incredible range. Modeling achieves famous VOX AC 30 tone. Distortion is warm and natural, with subtlety in mind. 6 knobs allow complete control over pedal dynamics. Whole aluminium alloy housing classic stoving varnish finish, stable and strong.

Get The Classic, Warm And Mind Bending Tremolo Effects Of Vintage ‘60s Amps. Dedicated Rate, Wave And Depth Controls For Awesome Sound Shaping. Runs On 9 V Battery Or The DC Power Supply (Not Included). First Class Electronic On/Off Switch For Noise Free Operation. High Quality Components And Exceptionally Rugged Construction Ensure Long Life.

The FX68 Super Stereo Chorus was introduced in mid late 1990 as DOD's "top of the line" chorus effect, replacing the FX67 Stereo Turbo Chorus in DOD's lineup. With Level, Speed, and Delay Time controls, the FX68 was comparable to the FX65 Stereo Chorus feature-wise, but added a Level control to mix the wet/dry output levels. Unlike its chief competitor at the time, the FX68 did not have a tone control. The FX68 was discontinued in 1996 with the introduction of the FX64 Ice Box.

The Flanger effect was originally generated by playing back two synchronized reel to reel tape recorders, with a finger rubbing on the flange of one of the take up reels. This slowed down the playback on one machine, causing the output signal to become out of phase with the original, as well as slightly lower in pitch. When the two tape machines were played back together and recorded on a 3rd, the art of flanging was born.

Rocktron G.A.P.1  Preamp, AGX Distortion, Hush Noise reduction. Very good condition rack mount processor built in the USA. Quality sounds of the 80's at a low price. 

12 amp models that deliver a complete range from Clean to Insane. 7 Smart Control effects up to 3 simultaneous  including Tape Echo, standard Delay, Sweep Echo all w Tap Tempo, Chorus Flanger, Phaser, Tremolo and Reverb. 4 User programmable channels. Built in front panel Tuner. 75 watts of power.

Samick BA25 bass guitar amp with power cord. 

The Line 6 Spider  HD150 modeling guitar head amplifier makes getting great amp sounds easier and more affordable than you might think! The Spider  HD150 pumps 150 watts into your speaker cabinet for impressive tone and plenty of it. This head is loaded with great amp models with both vintage and modern specimens, with presets handcrafted by today's leading artists. What's more, these astounding sounds are amazingly easy to dial in. 

The Spider V 30 MkII is a great amp for practicing whether you are a beginner or a seasoned player but it’s far more than a practice amp. Whether you like to plug in and immediately rock a traditional amp tone, or enjoy tweaking parameters until you’ve devised a unique and awe inspiring sound, this machine gives you the tools to create exactly what  you  want. Classic Speaker mode provides an organic sound and feel, while all-new presets including vintage amp presets voiced by a renowned tube amp maker, and Artist and Iconic Song collections deliver classic tones with all the rage, subtlety, sheen, and roar you demand. If you have a fear of cookie cutter tones, the Spider V 30 MkII amp provides enough flexibility to transform a basic hard rock sound into a fire breathing dragon, clean timbres into galaxies of ambient textures, Brit pop chimes into waterfalls of vibey shimmers, and more. Whatever drives your creativity, the Spider V 30 MkII gets you there with all the ease or complexity that defines your individual musical mantra. Never settle. Own your tone.

Building on the top level tone and rock solid reliability that’s made the Cube name famous, the all new Cube GX series turns up the heat with even more versatile operation and connectivity for Apple’s iPhone, iPad, and iPod touch. With 40 watts of power and a custom designed 10 inch speaker, the compact Cube 40GX is the ultimate go everywhere amp for gigs, recording, and practice at home. 11 COSM amp types and three independent channels including a fully programmable Solo channel provide sounds for playing any style, with remote control of channel switching, effects, and more via the optional GA-FC Foot Controller. i cube link takes practice and mobile recording to a new level, providing a built in audio interface for working with music apps on your favorite iOS devices.

Camber C4000 18 Inch Cymbal.

Capo for guitar.

5 different Violin effects.True BypassCompact and Solid design. Power saving,the current is only 50mA. Freely controlling rotary module.With amplitude modulation . and built in Swell module. Vibrato module for easy depth and rate adjustment.

5 different Organ effects. True Bypass. compact and solid design. Power saving,the current is only 50mA. With built in Percussion module. With a lifelike high and low RotatarySpeaker module.

The new generation Tone Blaster X series amps were designed and created to answer the needs of today’s guitarist. The parametric mid EQ allows you to dial in any tone you’re looking for in an instant. The exclusive X mode allows you to get monstrously heavy and lets you cut through the din of the loudest rhythm section. The gain control in the normal channel can be dialed down to give you anything from a clean jazz tone to a crunchy, slightly overdriven rock’n roll tone. Plug in and express yourself with TBX. Comes with power cord. 

The Crate GX-30M is an entry level combo amplifier that puts out 30 watts through a 4 Ohm 12 inch Crate speaker. It is the usual practice amp size, measuring approximately 19 by 20 by 12 inches. It was made in the USA and it feels sturdy, with the usual black Tolex and hefty plastic corner protectors. There are a surprising number of features available. There is a clean channel with a 3 band EQ, an overdrive channel with gain, shape, and level, a reverb effect, and a chorus feature with depth and rate. A single input is provided, and there are also jacks for a footswitch, headphones and a speaker out. If anything is plugged into the headphone jack or speaker out the internal speaker is bypassed.

Scandalli accordions come from the vision and experience of a musician, for musicians, and this is combined with the daily commitment of our passionate technical staff; which is what makes our instruments so special. More than hundred years of history, tradition, and manufacturing experience have allowed us to develop innovative solutions in order to improve our instruments in sound quality and performance, all while considering the evolution in the taste of our musicians. All Scandalli accordions have universally recognized features in order to be considered as the most advanced and suitable concert instruments; especially the sensitive and expressive sound, balanced throughout the extraordinary dynamic range. Our converter instruments have also been created with the support of teachers and musicians who collaborate with us offering their high-level knowledge. A case is included

Carl Martin classic Vintage Flanger, designed for those guitarists who desire this unique form of modulation. The Vintage Flanger has four knobs to control Speed, Depth, Pre delay and Feedback, plus a dual speed mode that is foot switchable. There are no rules with a Flanger, just plug this versatile modulation pedal in and play play play. As with all the Vintage pedals, the Flanger comes in a solid, diecast housing with the cool CM graphics and chicken-head knobs. It can be powered by 9v battery or a regulated 9v power supply.

The Boss AC 2 Acoustic Simulator can take your electric guitar signal and model several different types of acoustic guitar tones, including jumbo, standard, piezo pickup equipped and even some tones an acoustic couldn't naturally get. It might not be the real thing, but it's a good substitute for amateurs playing out at the bars who don't want to bring an acoustic with.

The Red Repeat 2016 Edition takes this old technology and brings it up to modern standards. The Echo control basically determines the amount of this effect, from barely noticeable, to sounding like two guitars playing at once slap-back. The Tone control changes the presence (EQ) of the echoed signal, leaving your original signal EQ the way you set it up. The Time control adjusts the space between your original signal and the echoed signal from 0 to 600 milliseconds, and finally, the Repeat control determines how many echoes there are from each signal. So again for guitar-players who need it super-simple, the Echo and Time controls tell you how much echo and how much space between echoes and the Tone and Repeat controls determine the actual presence of the echo and how many echoes there are. The Red Repeat 2016 Edition can be used to fatten up your sound, as an alternative to reverb, to give a very percussive flavor to your playing, all the way to the longest delays which you can play over top of, like a short loop. This type of effect has been used since the 50’s, and has helped shape the signature sounds of Les Paul, Chet Atkins, Gene Vincent, Brian Setzer, David Gilmour and countless others, and once you understand the effect, is usually pretty easy to spot in recordings. Remember, Delays can come before or after your distortion pedals, but usually after amplitude volume effects. For the new improved Red Repeat 2016 Edition, Carl has added a couple features that various players have asked about. To begin with, we have added a Tap Tempo function. For those familiar with delay pedals, the Tap Tempo allows the player to tap in the tempo he choses to use with his playing. Simply flip the switch that says Manual Time toward the name Red Repeat and with your toe, tap the footswitch marked Tap Tempo to the beat of the song. This allows your echoes to be spaced precisely with the tempo of the song, faster or slower, depending on your style. When The Manual Time switch is flipped away from the Red Repeat 2016 Edition decal, the pedal goes back to setting the space between echoes with the Time knob. The second special feature is the Modulation switch. By engaging this switch, and adjusting the black mini-pots marked Depth and Speed, you can modulate the echoes of your notes so that they mimick the ‘wow and flutter’ of a vintage tape echo. This subtle effect can bring a whole new dimension to your solo’s, especially if you want them to sound ‘old’.

Rugged construction, high SPL handling in a compact chassis makes the Apex435B an ideal choice for live sound reinforcement or live recording applications. It is also an ideal choice as a utility microphone for home or project studios where performance in required, yet budget is a concern. The Apex435B microphone is made with a heavy-duty machined brass body with a durable, scratch resistant anodized finish. Solid State Medium Diaphragm Condenser Microphone.  Cardioid Polar Pattern.  Internally Mounted -6dB 100Hz Low Frequency Roll Off Switch. Heavy Duty Machined Brass Body. Carry Case Included.